FinalFolklore

Gilgamesh

He sought the man who survived the flood, and learned that death is the human share.

mesopotamianherofloodimmortalityaka Bilgamesaka Utnapishtim (the flood survivor)

Gilgamesh is the king of Uruk in the world's oldest known epic, composed in Sumerian and Akkadian over the early second millennium BCE. The Epic of Gilgamesh is not an end-of-the-world story in itself, but it contains the most famous early flood narrative and turns on a question every eschatology eventually faces: why do we die, and is there any way out?

The hero and his grief

The epic opens with Gilgamesh, two-thirds god and one-third human, oppressing his city until the gods create a wild man, Enkidu, to rival him. The two become friends and undertake deeds together, but Enkidu dies, and Gilgamesh is confronted with mortality for the first time. His grief drives the second half of the poem: a quest to find the secret of eternal life.

The meeting with Utnapishtim

Gilgamesh journeys to the ends of the earth and finds Utnapishtim, the survivor of the great flood, who (with his wife) was granted immortality by the gods. Utnapishtim tells him the flood story, the Babylonian version of Atra-hasis: the god Ea warns him, he builds a square boat, loads it, survives the seven-day storm, releases a dove, a swallow, and a raven, and is granted life "like the gods." (The episode is preserved on the British Museum's "Flood Tablet," K.3375, translated by George Smith in 1872.)

The answer

Utnapishtim sets Gilgamesh a test of wakefulness, which he fails, and then tells him of a plant of rejuvenation at the bottom of the sea. Gilgamesh obtains it, but a serpent steals it while he bathes. The hero returns to Uruk empty-handed, having learned the poem's answer: death is the human lot, and the only immortality available is the lasting fame of the city and deeds one leaves behind. The flood episode is the pivot: it shows that even the one man the gods spared from the end could not keep life forever.

Why he matters

Gilgamesh is here because his epic carries the earliest surviving reflection on the end of the individual within a world that has already nearly ended once. The flood in his story is the backdrop; the real subject is the human confrontation with finitude. In a corpus full of cosmic endings, the Epic of Gilgamesh is the voice that asks what the end means for a single life, and answers, unsparingly, that it means acceptance. That is the oldest wisdom this wiki preserves.

See also

  • Mesopotamian FloodThe oldest surviving end-of-the-world story: the gods drown humanity in a flood
  • Atra-hasisThe Akkadian epic in which the gods flood humanity for being too noisy, and one
  • The RemnantThe recurring end-of-the-world motif of a small group, or a single couple, who s
  • What Is EschatologyThe study of last things, and the two great shapes end-of-the-world stories take
  • The Flood MythThe worldwide story of a great deluge sent to destroy humanity, survived by a ch
  • The Flood Tablet (Gilgamesh Tablet XI, K.3375)Neo-Assyrian clay tablet, seventh century BCE, from the Library of Ashurbanipal